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Framed Photo of Elizabeth Harrison

DateDimensionsAccession_numberMaterials
circa 1900H: 10" W: 7"386Wood, metal, paper, and paint

Framed photo of Elizabeth Harrison. Oval photograph window in maroon velvet mat. Gold painted wooden easel type frame with fancy metal base holding wood frame that tilts or swivels up and down. On back board "Elizabeth Harrison Walker / Daughter Benj and Mary Lord Harrison / Presented by / Mrs. Gene McKee sister-in-law to J. R. McKee".

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Framed Photo of Elizabeth Harrison

Framed photo of Elizabeth Harrison. Oval photograph window in maroon velvet mat. Gold painted wooden easel type frame with fancy metal base holding wood frame that tilts or swivels up and down.
back board of the photo of elizabeth harrison. writing on the back reads

Photography

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1865 photo of Caroline Scott Harrison

Photograph of Caroline Harrison

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70th Indiana at Harrison Inauguration 1889

70th Indiana Photograph

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Framed photo of Elizabeth Harrison. Oval photograph window in maroon velvet mat. Gold painted wooden easel type frame with fancy metal base holding wood frame that tilts or swivels up and down.

Elizabeth Harrison

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Gray cardboard & matte print. Written on back:

Harrison Photograph

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The President, Mrs. Harrison & Party / On the Parapet of Sutro Heights, April 27th 1891. at bottom center.

Harrison Photograph

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Photograph (sepia tone) mounted on heavy board. Images shows 1888 Campaign Ball with D. E. Brockett (designer and builder) standing to the left with other men behind him and to the right side of the ball. There is also a stack of lumber to the back on the right and a shed type building to the left. Below image on board is the following information:

Campaign Photograph

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Campaign Photograph

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Photograph of crowd in front of Harrison's North Delaware Street home in 1888. Wider view showing crowd in front of Delaware Street home and showing the houses to the north. Brick driveway and sidewalk in foreground.

Campaign Photograph

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Photograph of crowd in front of Harrison's North Delaware Street home in 1888. Benjamin Harrison is standing near the front door slighlty to the left. Image shows the front of the house as it looked in 1888, picket fence at front sidewalk, and crowd of mostly men and young boys. A few women stand behind Harrison at the front door. The crowd is lined up on the rightside of the walk leading to the front door, in the yard to the left, and on the front sidewalk to the left.

Campaign Photograph

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There’s always that one in the crowd See this artifact
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This is a close up from the piece of paper on which the illustration was made. The artist has droppings of water colors here, likely used to as a test.
Photograph of crowd in front of Harrison's North Delaware Street home in 1888. Benjamin Harrison is standing near the front door slighlty to the left. Image shows the front of the house as it looked in 1888, picket fence at front sidewalk, and crowd of mostly men and young boys. A few women stand behind Harrison at the front door. The crowd is lined up on the rightside of the walk leading to the front door, in the yard to the left, and on the front sidewalk to the left.
Close up of a figure on the composition. Shows a soldier hoisting an american flag and a sword, with little detail.
Closeup of the engraved glass on the door. Shows french style patterning with curves and hard edges.
Photograph showing finer details on the dress skirt. There skirt is ornately connected with buttons and lining the accents vertically, in gold. The fabric is lightly wrinkled.
Original Harrison large rosewood and satinwood Renaissance Revival bed. Satinwood panel in tall head board. Large Egyptian medallion in center of head board that matches smaller medallions in chairs. The head board is 8 feet tall with squared feet. Squared urn design on foot board. Foot board has round massive legs. Ornamental pieces in medallions, scrolls, etched designs, etc.
Closeup on the ribbon on the metal. Appears to be a sleek blue and white fabric with light bouncing off.
Inside cover is heavy cardboard, red edges come out farther than the wood. Inside is pale green. Between each page is a layer of tissue paper. The book is written in Hebrew and opens from right to left. Pages appear to be done by hand.
This close up of Caroline's gold dress shows an inscription on the inside that reads,
A certificate for a Naval Commission from signed by Ulysses S. Grant for John Parker to be promoted to Ensign in the Navy starting on July 17, 1875. Signed and issued on January 9, 1877. Grant's signature under text at lower right. Also signed by Secretary of Navy Geo. W. Robeson. George Maxwell Robeson (March 16, 1829 – September 27, 1897) appointed by President Ulysses S. Grant as Secretary of the Navy on June 25, 1869. Image of the eagle on top center; bottom center has a blue seal with image of Poseidon coming out of the sea with maidens, etc.
Oak case with iron dumbbell shaped weights (5) on ropes to be pulled, eight sets of wooden dumbbells and pair of Indian clubs. Metal plate:
Crazy quilt with velvet boarder, mostly silk fabric in the pattern. Signatures include, Rutherford B. Hayes, Mrs. James K. Polk, John Wanamaker, Julia D. Grant, W. T. Sherman / general, Benj. Butterworth / Ohio, Agnes Author McElroy, Grover Cleveland, Frances Cleveland, T. DeWitt Talmage, and John J. Ingalls.
Designed and hand-painted by Mrs. Caroline Scott Harrison with hand painted purple and lavender Pansies. Edge is a cutout lace pattern with gold paint.
Oil on canvas by Lilly M. Spencer (Lilly Martin Spencer) of Caroline Scott Harrison in profile view. Spencer signature is in lower left (not visible when portrait is in frame). Many engravings and prints were made from this image of Caroline Harrison. She is wearing a dark dress with white lace trim at the high neck, gold earrings, and hair is pulled back in a bun. Background is green in varying dark to medium shades. Pat. date of 1885 on metal corner brackets of wooden stretcher.
Photograph (sepia tone) mounted on heavy board. Images shows 1888 Campaign Ball with D. E. Brockett (designer and builder) standing to the left with other men behind him and to the right side of the ball. There is also a stack of lumber to the back on the right and a shed type building to the left. Below image on board is the following information:
Tiffany Window

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