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Drawing of the Battle of Resaca

DateMediumDimensionsAccession_numberMaterials
1864Pen and Ink Hand Colored in ink and watercolorH: 13 3/8" W: 19 1/2" (wintout frame)162Paper, ink, and watercolor

Framed pen and ink drawing of the Civil War battle of Resaca, GA., May 15, 1864, by G. H. Blakeslee ( 129th Illinois Company G ). Black ink and hand colored in red, blue, black, and yellow. Bottom center "Resaca" in faded red with "May 15, 1864" in black ink to the left written vertically. 15th is faded. Drawing shows several regiments of men at the battle. Each regiment has a flag with regiment number and state including "70 IND", "129 Ill", "79 OVI" (Ohio Volunteer Infantry), and "105 Ill".

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Drawing of the Battle of Resaca

Framed pen and ink drawing of the Civil War battle of Resaca, GA., May 15, 1864, by G. H. Blakeslee ( 129th Illinois Company G ). Black ink and hand colored in red, blue, black, and yellow. Bottom center
Framed pen and ink drawing of the Civil War battle of Resaca, GA., May 15, 1864, by G. H. Blakeslee ( 129th Illinois Company G ). Black ink and hand colored in red, blue, black, and yellow. Bottom center

Soldier, Lawyer, Statesman

A man of many talents
Benjamin Harrison's Civil War sword. Handle or grip is covered with a leather or skin. The pommel at the top of the hilt is brass or gold color metal with a rosette or flower design on top and an eagle on one side. The grip has an extended handle of brass or gold color metal with design. The bottom of the hilt or rain guard is hinged on one side. The guard is brass or gold color metal with a shield design on the hinged side and an eagle design on the other side. There is a finger guard opposite the handle that extends out about 1 1/2

Sword

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Full length figure of Benjamin Harrison cast in plaster done by Charles Henry Niehaus. Model for the statue in University Park, Indianapolis, IN. This plaster model is painted to appear like bronze. Harrison is holding a top hat in his right hand and his over coat is draped over his left arm. His left leg is forward giving the statue a walking stance.

Benjamin Harrison Statue

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Framed pen and ink drawing of the Civil War battle of Resaca, GA., May 15, 1864, by G. H. Blakeslee ( 129th Illinois Company G ). Black ink and hand colored in red, blue, black, and yellow. Bottom center

Resaca

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What draws you in? Color. Texture. Je ne sais quoi? Go with your gut and experience a new take on learning. Enjoy this individually curated section.

First Lady with a gold earring See this artifact
A free-flowing fad See this artifact
A tactical victory See this artifact
A revolutionary idea See this artifact
The weight of the world See this artifact
Oil on canvas by Lilly M. Spencer (Lilly Martin Spencer) of Caroline Scott Harrison in profile view. Spencer signature is in lower left (not visible when portrait is in frame). Many engravings and prints were made from this image of Caroline Harrison. She is wearing a dark dress with white lace trim at the high neck, gold earrings, and hair is pulled back in a bun. Background is green in varying dark to medium shades. Pat. date of 1885 on metal corner brackets of wooden stretcher.
Crazy quilt with velvet boarder, mostly silk fabric in the pattern. Signatures include, Rutherford B. Hayes, Mrs. James K. Polk, John Wanamaker, Julia D. Grant, W. T. Sherman / general, Benj. Butterworth / Ohio, Agnes Author McElroy, Grover Cleveland, Frances Cleveland, T. DeWitt Talmage, and John J. Ingalls.
Close up of a figure on the composition. Shows a soldier hoisting an american flag and a sword, with little detail.
Closeup on the ribbon on the metal. Appears to be a sleek blue and white fabric with light bouncing off.
Oak case with iron dumbbell shaped weights (5) on ropes to be pulled, eight sets of wooden dumbbells and pair of Indian clubs. Metal plate:
Closeup of the engraved glass on the door. Shows french style patterning with curves and hard edges.
Photograph of crowd in front of Harrison's North Delaware Street home in 1888. Benjamin Harrison is standing near the front door slighlty to the left. Image shows the front of the house as it looked in 1888, picket fence at front sidewalk, and crowd of mostly men and young boys. A few women stand behind Harrison at the front door. The crowd is lined up on the rightside of the walk leading to the front door, in the yard to the left, and on the front sidewalk to the left.
This close up of Caroline's gold dress shows an inscription on the inside that reads,
A certificate for a Naval Commission from signed by Ulysses S. Grant for John Parker to be promoted to Ensign in the Navy starting on July 17, 1875. Signed and issued on January 9, 1877. Grant's signature under text at lower right. Also signed by Secretary of Navy Geo. W. Robeson. George Maxwell Robeson (March 16, 1829 – September 27, 1897) appointed by President Ulysses S. Grant as Secretary of the Navy on June 25, 1869. Image of the eagle on top center; bottom center has a blue seal with image of Poseidon coming out of the sea with maidens, etc.
Inside cover is heavy cardboard, red edges come out farther than the wood. Inside is pale green. Between each page is a layer of tissue paper. The book is written in Hebrew and opens from right to left. Pages appear to be done by hand.
Designed and hand-painted by Mrs. Caroline Scott Harrison with hand painted purple and lavender Pansies. Edge is a cutout lace pattern with gold paint.
Original Harrison large rosewood and satinwood Renaissance Revival bed. Satinwood panel in tall head board. Large Egyptian medallion in center of head board that matches smaller medallions in chairs. The head board is 8 feet tall with squared feet. Squared urn design on foot board. Foot board has round massive legs. Ornamental pieces in medallions, scrolls, etched designs, etc.
Photograph (sepia tone) mounted on heavy board. Images shows 1888 Campaign Ball with D. E. Brockett (designer and builder) standing to the left with other men behind him and to the right side of the ball. There is also a stack of lumber to the back on the right and a shed type building to the left. Below image on board is the following information:
This is a close up from the piece of paper on which the illustration was made. The artist has droppings of water colors here, likely used to as a test.
Photograph showing finer details on the dress skirt. There skirt is ornately connected with buttons and lining the accents vertically, in gold. The fabric is lightly wrinkled.
Portrait of Caroline Harrison

First Lady with a gold earring

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