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Benjamin Harrison’s Society of Cincinnati Badge

DimensionsAccession_numberMaterials
H: 3 1/4" W: 1 1/2"2007.525.aSilk and metal

President Harrison's Eagle badge from the Society of Cincinnati. Predominantly light blue ribbon, with white edging, holding an eagle with golden wings and wreath around head. The center is a picture of figures against a blue background, encircled by the text "Omnia : Relinquit : Servare : Rempublican" Other side has the same eagle with an angel flying over a figure. On this side, the words encircling the picture are "Societas : Cincinnatorum : Instituta : AD 1783".

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Benjamin Harrison’s Society of Cincinnati Badge

Photo of harrison's badge. bears a predominantly light blue ribbon, with white edging, holding an eagle with golden wings and wreath around head. The center is a picture of figures against a blue background, encircled by the text
On this side, the words encircling the picture are

In the Family

Here’s the mementos that the family held dear
Nursery 3D screen shot

3D Nursery Room

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Vase with blue and orange closeup wedding gifts from John Scott Harrison

Vases

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William Henry Harrison Bootjack

Bootjack

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This close up photograph of the doll shows some finer details of the face, hat, and dress. Doll has Blonde hair and blue glass eyes. Her head shoulders, and forearm are bisque with upper arms & body thighs are kidskin leather. The lower legs and feet are celluloid. Tiffany mounted, fake pearl pierced earrings hand from her pierced ears. She is wearing a late nineteenth century style black dress with a feathered hat.

Doll

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Photo of Baby Mckee's jumeau doll. The head is bisque and composition body has jointed arms and legs, blue glass eyes and long curled blond hair. The doll has pierced ears with imitation ruby earrings.

Doll

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Jumeau doll is 16” tall with original satin dress, leather shoes, earrings, and hat. Her body is molded body with a bisque head. Head marked

Doll

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Daughter of the Cincinnati badge. Predominantly white ribbon with blue edging holding a golden eagle. An emblem in the center of the eagle contains a golden bust of a male figure and is encircled by the text

Society of the Daughters Cincinnati Badge

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Photo of harrison's badge. bears a predominantly light blue ribbon, with white edging, holding an eagle with golden wings and wreath around head. The center is a picture of figures against a blue background, encircled by the text

Society of Cincinnati Badge

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Photo of Square pot with pink and rose colors blended into cream and white upper part, gold butterflies, brown handle & spout. Initials

Chocolate Pot

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Three piece set plus companion Orchid tray. Tea pot, sugar, and creamer all hand-painted with morning glories by Mrs. Caroline Scott Harrison in pastel tones, green leaves and gold trim. Tea pot and sugar bowl have lids and gold twig like handles. The Orchid tray is done in matching tones and style.

Tea Set

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Oil on canvas by Lilly M. Spencer (Lilly Martin Spencer) of Caroline Scott Harrison in profile view. Spencer signature is in lower left (not visible when portrait is in frame). Many engravings and prints were made from this image of Caroline Harrison. She is wearing a dark dress with white lace trim at the high neck, gold earrings, and hair is pulled back in a bun. Background is green in varying dark to medium shades. Pat. date of 1885 on metal corner brackets of wooden stretcher.

Portrait of Caroline Harrison

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Brown paper very worn left and right sides torn with heavy loss in center sections. Image of log cabin at top with jug of hard cider. Under cabin image

William Henry Harrison Campaign Poster

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A certificate for a Naval Commission from signed by Ulysses S. Grant for John Parker to be promoted to Ensign in the Navy starting on July 17, 1875. Signed and issued on January 9, 1877. Grant's signature under text at lower right. Also signed by Secretary of Navy Geo. W. Robeson. George Maxwell Robeson (March 16, 1829 – September 27, 1897) appointed by President Ulysses S. Grant as Secretary of the Navy on June 25, 1869. Image of the eagle on top center; bottom center has a blue seal with image of Poseidon coming out of the sea with maidens, etc.

Naval Commission

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What draws you in? Color. Texture. Je ne sais quoi? Go with your gut and experience a new take on learning. Enjoy this individually curated section.

Queenly charge See this artifact
In sacred memory See this artifact
First Lady with a gold earring See this artifact
There’s always that one in the crowd See this artifact
A flower to remember See this artifact
Original Harrison large rosewood and satinwood Renaissance Revival bed. Satinwood panel in tall head board. Large Egyptian medallion in center of head board that matches smaller medallions in chairs. The head board is 8 feet tall with squared feet. Squared urn design on foot board. Foot board has round massive legs. Ornamental pieces in medallions, scrolls, etched designs, etc.
Inside cover is heavy cardboard, red edges come out farther than the wood. Inside is pale green. Between each page is a layer of tissue paper. The book is written in Hebrew and opens from right to left. Pages appear to be done by hand.
Oil on canvas by Lilly M. Spencer (Lilly Martin Spencer) of Caroline Scott Harrison in profile view. Spencer signature is in lower left (not visible when portrait is in frame). Many engravings and prints were made from this image of Caroline Harrison. She is wearing a dark dress with white lace trim at the high neck, gold earrings, and hair is pulled back in a bun. Background is green in varying dark to medium shades. Pat. date of 1885 on metal corner brackets of wooden stretcher.
Photograph of crowd in front of Harrison's North Delaware Street home in 1888. Benjamin Harrison is standing near the front door slighlty to the left. Image shows the front of the house as it looked in 1888, picket fence at front sidewalk, and crowd of mostly men and young boys. A few women stand behind Harrison at the front door. The crowd is lined up on the rightside of the walk leading to the front door, in the yard to the left, and on the front sidewalk to the left.
Designed and hand-painted by Mrs. Caroline Scott Harrison with hand painted purple and lavender Pansies. Edge is a cutout lace pattern with gold paint.
Photograph (sepia tone) mounted on heavy board. Images shows 1888 Campaign Ball with D. E. Brockett (designer and builder) standing to the left with other men behind him and to the right side of the ball. There is also a stack of lumber to the back on the right and a shed type building to the left. Below image on board is the following information:
This close up of Caroline's gold dress shows an inscription on the inside that reads,
Closeup of the engraved glass on the door. Shows french style patterning with curves and hard edges.
Close up of a figure on the composition. Shows a soldier hoisting an american flag and a sword, with little detail.
A certificate for a Naval Commission from signed by Ulysses S. Grant for John Parker to be promoted to Ensign in the Navy starting on July 17, 1875. Signed and issued on January 9, 1877. Grant's signature under text at lower right. Also signed by Secretary of Navy Geo. W. Robeson. George Maxwell Robeson (March 16, 1829 – September 27, 1897) appointed by President Ulysses S. Grant as Secretary of the Navy on June 25, 1869. Image of the eagle on top center; bottom center has a blue seal with image of Poseidon coming out of the sea with maidens, etc.
Crazy quilt with velvet boarder, mostly silk fabric in the pattern. Signatures include, Rutherford B. Hayes, Mrs. James K. Polk, John Wanamaker, Julia D. Grant, W. T. Sherman / general, Benj. Butterworth / Ohio, Agnes Author McElroy, Grover Cleveland, Frances Cleveland, T. DeWitt Talmage, and John J. Ingalls.
Oak case with iron dumbbell shaped weights (5) on ropes to be pulled, eight sets of wooden dumbbells and pair of Indian clubs. Metal plate:
Photograph showing finer details on the dress skirt. There skirt is ornately connected with buttons and lining the accents vertically, in gold. The fabric is lightly wrinkled.
Closeup on the ribbon on the metal. Appears to be a sleek blue and white fabric with light bouncing off.
This is a close up from the piece of paper on which the illustration was made. The artist has droppings of water colors here, likely used to as a test.
Renaissance Revival Bed

Queenly charge

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